Penny finds her self with her wrists tied around a sturdy post. Her legs are spread and tied apart. Her hips are pulled forward by her crotchrope. She is ballgagged with Vetwrap over her gag and eyes. She whimpers and struggles for a while, before her captor returns. He has a new position planned and he gets started. He removes the rope pulling her crotchrope forward and unties her ankles. He places 2 paint cans by her feet. He lifts her and then kicks the cans under her feet. He gets more rope and starts tying her to the post. He gets her hips and her upper thighs tied securely before he walks away to get more rope. He soon returns.
I buckle the head harness on Adara's head. I then gag her with the metal bit gag/tongue port combo. She starts gagging and drooling immediately. I tell her she's going to have to get used to it, so I walk away and leave Adara. After a while, she does seem to adjust to the protrusion in the back of the throat. I take it out and replace it with a slightly smaller rubber version of the gag. I put her on the floor. I soon have adara hogtied with leather straps. Her head is pulled back with a strap as well. I know she will have a hard time with this as she is still wearing the posture collar, but she needs to learn to breathe in restrictive bondage. After a bit, I give her some relief by removing the strap that pulls her head back. I order her to struggle now and she does. After struggling for a while, I return and remove the strap that hogties her and the clip ends.
Charlotte Sartre thinks she is on a simple shopping trip, just like any other weekend. She goes into a furniture store, looking for some kind of chair to help furnish her new apartment, and O.T. is more than happy to help her look around his shop. She says she doesn't need anything too comfortable, which is good since the array of chairs he had are all made of metal pipes bent into strange shapes. Eventually she sits down on one, her legs spread by the metal, and O.T. locks her neck into a metal collar. A girl with this little common sense doesn't deserve to get out of that bondage, but O.T. knows what she does deserve.
O.T. ties Charlotte's hair into pigtails and wraps them across her face and through her mouth to make a gag, which he then tapes in place with masking tape. With her legs open wide, her tights are exposed, so he takes his knife and cuts out the crotch from them so he can better reach between her legs. He takes the piece of fabric he cut away, balls it up, and sticks it in her nose so she has an even harder time breathing. Then he rubs his hand over her pussy through her panties to get her ready for their next activity.
Charlotte is shackled onto a pole, her wrists and ankles locked in in some heavy metal bondage, and a metal wire gag laced through her mouth and pulling at the sides of her lips and her cheeks. That only hurts, but doesn't do a great job keeping air from getting in or out, so O.T. pulls a plastic bag over her head to help with some breath play. Then he starts whipping and flogging her body. Each ragged breath and each whine she tries to let out only makes her more aware of the suffocation and makes her more scared. What happens next will have you at the edge of your seat.
Elise Graves has been on the receiving end of more than one beating. She knows first hand the kinds of torments a sadist can visit upon an innocent girl. You would think that would make her more sympathetic to the situation Sasha is in right now. Not quite. They say power corrupts and it looks like it's true. Elise wastes no time or effort making Sasha comfortable. She has learned a lot about pain and suffering, but it is her first chance to deal some out herself. A chance she is going to make the most of.
I was planning on shooting a Pony Girl Custom with Adara this day, but I had left some gear I needed at another location. I decided to make the best of the situation and do what I could with what I did have. I start the clip with Adara already in her jodphurs and riding shirt. I don't have the riding boots with me, so I put her in some heeled boots. I have her model it a bit before I smack her ass a few times. I like to hear the different sound that different styles of pants make. These have a heavy leather seat. They make a nice sound, but protect Adara's ass very well, lol. I have a very strict posture collar and that goes on next. I'd like to use it in the custom, but it's just to tall to fit properly when she's wearing the armbinder and the harness. The armbinder goes on next. I have to loosen the bindings quite a bit, as Adara is not very flexible. It takes a while to get her in it, but it looks good on her when it is on and buckled tight. I order Adara to turn in a tight circle so we can get a good view of her outfit and bindings. I come back after a short while and tightly bind her legs with leather straps. I pull up a chair and Adara sits as she is not very good at standing in heels. I go to get the head harness and bit gags while Adara waits patiently.
The scene opens with Mei Mara inverted and covered in clothes pins. The frame she is on keeps her legs spread and her back arched. Claire Adams comes in with a strap on and begins to take Mei as savagely as possible. Even through the gag her screams are clearly audible. After a good pounding she is ready to be used as a punching bag. Il Re and Damon Pierce stand her up to get a better shot at her. She is going to be one bruised bitch when they are through with her.