Hidden-Layers produce movies mostly about girls getting dressed and wearing latex and rubber clothing in different scenarios. The scenes contain girls getting dressed in layers of latex and rubber. Some lesbian scenes and solo masturbation dressed in layers of latex and rubber clothing.
She Got Her Wish In The Domination Barn! - Gina Valentina & Bruno Dickemz A friend told her " for a good time go to the barn. Now she's getting the fucking of her life! Never Go Into Step-Daddy's Basement! - Julia De Lucia & Robin Reid You've been told not to come in here. Now, you have to pay the price! A Good Little Kitty Always Gets Rewarded! - Kylie Nicole & Peter Milimeter She waited patiently for her master. Now, this pussy gets what she wants! Chained In The Basement, She's Her Master's Slut! - Maddy Rose & Ryan McLane Bound in the basement, disciplined and royally fucked! Not A Virgin Anymore? You Must Be Punished! - Nataly Gold & Robin Reid Her parents want to know if she's still a virgin. So this doctor examines every inch of her!
There is a long-standing question in the bondage community: how much abuse can a pussy take and still be able to cum when the time arises. O.T. is on a crusade to find out, but he's been hard pressed to find a girl willing to take part in his little experiments. He has chosen Violet Monroe to be his subject even though she's not a completely willing participant. That's fine as far as he's concerned. If she struggles a little that will only add to his tests.
Violet is being moved between different positions to allow O.T. to access her pussy with his different tools. First the flogger comes out, its tails sending pain up through her whole body making her shake and try to pull away. She continues struggling as she is laid back over a box with her arms and legs tied spread eagle, but the ropes are too strong for her and she has no success. Instead she gets a series of whip lashes straight to her crotch. She tries to scream from the stinging pain, but the sounds are muffled by the ball gag stuffed in her mouth.
Violet drools around the gag as O.T. moves on to the final phase of his experiment. He takes out the hitachi and presses it hard against her pussy and Violet starts arching up against it as much as her ties will allow. Then, when that doesn't do it for her, O.T. takes out the celebrator for a more centralized vibration directly on her clit. That's when she really starts bucking.
Rachel is ballgagged and chained to a chair. Her wrists are handcuffed in front and her ankles are cuffed to the chair. She tries to find the buckle to her gag, but I catch her before she gets far. I punish her by slapping her tits and thighs with a crop. I hand her blackout contact lenses to put in. That's the only reason her wrists are cuffed in front. She has already spent the afternoon in an ultra-strict leather hogtie, so she knows to do as she is told. Once she has the contacts in, I collar her before I remove her gag. I then buckle on a pony girl head harness. Her ankles are un-cuffed from the chair. Leather cuffs are strapped on her ankles and a short length of chain is locked between them.
Genres: Corporal Punishment, Abandonment, Anchor Shackles, Ankle Tie, Ankles tied to Wrists, Ass Caning, Ass Play
"The horror and the grace", she knows that line all too well. Poetically, it describes her predicament perfectly. Her inability to remember the lines, under the stressors that Creep delights in applying, will result in much suffering. The electrified prod strapped into her cunt is a case in point. Creep dressed her for the occasion with leather mittens pulled up between her shoulder blades and locked to the choke collar stretching her neck. Of course, she is adorned in the inevitable pantyhose. He loves stretching them, like another skin, over her lower extremities. A tight corset limits her breathing and the pantyhose accentuate her long legs. She leans over a grubby kitchen table, wobbling in a pair of black high heels, reading from his iPad. She recites Percy Shelly’s “Medusa”. Deportment is strict. She must recite the lines while gazing at him. When she falters he presses the buttons on the remote sending a pulse of Faraday’s juice through her nethers to induce contractions. She must commit this poem to memory for he has promised her a session with the cane -- a stroke for every faulted line. Creep is living in a romantic horror. He is beguiled by the grace that is hidden in the character of this whore. The sexual substance of his schizoid world is to design ordeals that arouse terror in her. This is such a gripping pleasure as he studies her struggle; her expressions of suffering in the memories he collects on his tablet. Yet, his tending and obsession to this seeming pray -- has convoluted his lust. Fixated upon her, his gaze is becoming a mirror of himself.