He thinks of the Insex set as an autopsy room, where bodies are laid out, sliced, and cracked open. He thinks of the show as vivisection, as a method of discovery, every ounce of female flesh – a book. And her hair falling down about her throat, her painted lips and eyes, the endless fabric of young skin, her limbs, fingers, hair, cunt – a library. He studies her. He tests her endurance during the first hour with metal, the next hour with wrap after wrap of string, and for the third hour, rubber. He weighs her down, ties her body into knots, encases her, then relents. After he is finished with the first torments, he begins.
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