It began in 2007. She came through the studio door primed and ready. She even choose her nom de plume as the signature statement for what she craved. “Catherine De Sade” Its now 2009 and I’m ready. I have a few choice pieces that she will have a ride in. The first is the “throne” crafted out of Hemlock pine. Its composition is ideal for hand tools and I wanted to build with only mortise, tenons, pegs, and wedges for joinery. As a theatrical requirement this allowed it to be completely disassembled for transport.
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